“Adding something fresh and necessary to the genre of portraiture may seem impossible, but in that realm, Jenny Morgan is crushing it. Don’t label her paintings figurative or photoreal. Her extraordinary skills for rendering the human figure are besides the point. Layers of the unconscious are revealed in a the reductive abstraction of her portraits. As she grinds away at physical and metaphorical surfaces to uncover a spirit, an honest representation of ”the feels” becomes visible. Many can approximate likeness, but no one can expose the soft center of the human core quite like Jenny Morgan.” – Juxtapoz, September 2014
Plus Gallery opens the Fall exhibition season with “The Golden Hour,” the fifth solo exhibition by our most celebrated and collected painter Jenny Morgan. Morgan’s latest is not just one of the most anticipated exhibitions for Plus Gallery, but one of the most significant for Denver’s contemporary art community, marking the first time an artist from within has risen to national prominence via the NYC scene yet continues to maintain a strong presence in Colorado, where her collector base has always been a significant part of her career. The exhibition coincides with a pulsing surge of energy for Morgan, well beyond previous “peaks” that have been a constant companion throughout the first decade of her career. Morgan begins the fall with no less than four exhibitions commencing within the first two weeks of September, including a second solo offering at Purdue University Galleries (comprised of previously exhibited works by the artist); several paintings in her first group exhibition within the museum context, the Museum Of Contemporary Art Jacksonville‘s “Great Real: New American Painting,” as well as inclusion with a single work in an established NYC venue group exhibition. This surge is magnified by two other major distinctions: her profile in the just released September issue of Juxtapoz magazine (the second cover of a national arts publication for the artist before the age of 35) as well as the upcoming fall release of Juxtapoz’ latest hard-cover tome “Hyperreal” in which Morgan‘s work also graces the cover, the first time for her with a mass-market publication. All of these elements continue Jenny Morgan’s steady march towards one of the most distinguished careers in American painting today.
“The Golden Hour” is presented at Plus Gallery from September 11 – October 18th, with the support of Driscoll | Babcock, New York, which now represents Morgan at an international level. Morgan’s solo debut there in 2013, “How To Find a Ghost,” was noted last year as one of the top 100 exhibitions of the fall season by Modern Painters, and proved to be one of the most successful exhibitions of her career to date.
All paintings in “The Golden Hour” are now sold to private collections. This marks the first time that Plus Gallery has achieved “sold out” status during the course of a solo exhibition.
Plus Gallery has enriched Denver’s contemporary art scene since 2001, providing one of the leading, reputable platforms for prestigious artist representation and exhibitions of note in the region. The gallery recently relocated to the corner of 25th and Larimer in North Downtown Denver, into a unique renovation of a remnant parcel of the Benjamin Moore Paint Factory. This singular redevelopment adds a two-story gallery space to the dramatic architecture of the historic Benjamin Moore complex, serving as a visual anchor for the entrance to the Upper Larimer corridor and River North Arts District. The gallery was named “Art Space of the Year” in 2009 by the Denver Post and most recently ranked Number four on the Denver Posts 2014 list of Top Galleries. The gallery has been profiled for its distinct architecture in 5280, Modern In Denver and Art Ltd. Plus Gallery is a member of the Denver Art Dealers Association and the River North Arts District. Gallery owner Ivar Zeile has served as the creative director for the Denver Theatre District since 2009. He initiated Denver Digerati in 2012 as a platform for advancing animation and motion-based art as new forms of public art via Denver’s unique LED screen inventory, a program that continues to evolve as one of the leading platforms of its kind in the world today.
Plus Gallery has released four major artist monographs to date: “Jenny Morgan: We are all setting suns” is a 180 page book that features the artist’s entire body of work from 2010 through May of 2012. “Jenny Morgan: New Territory” is a 240 page book featuring a comprehensive view of paintings by Jenny Morgan from the time she debuted in 2003 through her 2009 Plus Gallery and NYC exhibitions. “Xi Zhang: Dream Dusts” features the majority of Zhang’s paintings from the critically acclaimed exhibition 12921 through his astounding 2011 MFA thesis painting No One’s Wonderland, Form is Emptiness. The 184 page “Colin Livingston – Artist” is the latest Plus Gallery publication to offer an in-depth view of one of the gallery’s most outstanding, celebrated contemporary artists. The book covers Livingston’s last three solo exhibitions from between the years 2006 and 2013, ones that have engaged the gallery context in a most extraordinary fashion, presenting conceptual painting-based installations where the underlying message is distinct and multi-layered.