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Funny thing, Milton Melvin Croissant’s work being shown at the Colorado Photographic Arts Center, considering he’s not a photographer.

He makes pictures, for sure, hyper-realistic scenes of contemporary domestic life. But he works with a mouse, not a shutter, collecting virtual images from other sources and assembling them into interior landscapes via 3-D modeling software.

They’re drawings, technically, or renderings or maybe clipped-art collages. Hard to know what to call them.

But there’s something photo-ish about the way they are made up, the angles he takes, the lines and images he presents within the frame. They have a photojournalistic aura, as well. His scenes depict early-morning moments in a swank house that’s been wrecked by a dose of hard living the night before — empty booze bottles, tumbled trash bins. It’s not the sort of story you see in the newspaper but it does have a narrative.

And photo-ish (photo-like? photo-y?) is enough for the current CPAC exhibit, “Constructing Images Post-Photography,” curated by Conor King. Nothing is pure photography, but everything shows its influence. Libby Barbee takes old photos, cuts them up, adds some paint and turns them into giant landscapes.

 

 

Read the full article on The Denver Post